"Oh Lover Boy is going to be a performance piece where again, the body is presented: it's there on the table. It is there for you to take, in a way, either to draw or to look at…the set-up is going to be almost like a life-drawing class but there is also a clinical side, where it is like you are looking at a body. But it is not passive it is not a dead body, in a way it's giving life by bleeding. And he's looking at you".
(Gary Watson, 2000)
